About Caroline

Caroline Friend is an American Mezzo-Soprano passionate about the presentation and accessibility of opera. Known for her expressive style and “good-natured charm”, Caroline is an active force on the stage. With her lengthy list of stage credits, it is apparent her second home is the theater. Friend’s roles include “Hänsel” (Hänsel und Gretel), “Zerlina” (Don Giovanni), “Presendia” (Dark Sisters), “Orlofsky” (Die Fledermaus), “Mère Marie” (Dialogues des Carmélites), “Dorothée” (Cendrillon), and “The Spirit” (Dido and Aeneas). Friend is no stranger to the European scene. Her role debut as “Mercedes” (Carmen) wowed audiences in the 2025 Lyric Arts France-Opéra Bastide Festival in southern France. She also performed the role of “Cherubino” (Le Nozze di Figaro) twice. Her pants-role debut began at the Estates Theatre of Prague in the 2023 Prague Summer Nights Young Artist Festival and in the 2024 La Musica Lirica Festival in Novafeltria, Italy. She performed in the 65th Annual Sewanee Summer Music Festival & Operafest in 2022 under Laura Brooks Rice. Friend also collaborated in masterclasses under Kirill Kuzman, Julius Drake, and Annemarie Kremer.

After leaving her hometown of Pittsburgh, Pennsylvania, she studied for six years under Dina Kuznetsova at the Cleveland Institute of Music, where she frequently performed in main-stage operas, opera scene programs, vocal chamber ensembles, and collaborative recitals. She holds a Master’s Degree in Vocal Performance (2026) alongside her Bachelor’s Degree of Vocal Performance and Minor in Music Theory (2024). 

In addition to her stage credits, Caroline’s performances brought award-winning recognition. In 2025, Friend was a recipient of the Boris Goldovsky Prize in Opera from the Cleveland Institute of Music for the most outstanding performance in opera of the school year. That same year, she received the Ernest Bloch Artistic Distinction Scholarship for her graduate studies at the Cleveland Institute of Music. In addition, she was awarded CIM’s 2024 Max Berman Prize in Voice, which recognizes outstanding performance by a voice major during the school year. She won 1st Prize of the 2024 American International Music Competition in Group I for Voice, as well as 2nd Prize for the 2023 ACPC Marcella Kochańska Sembrich Vocal Competition. 

During Caroline’s graduate studies, she fell in love with the cooperative side of performance production. Her passion for theory, history, and literature has inspired her to collaborate with colleagues in opera scenes and chamber operas as a stage director and librettist. While Friend engages with living artists as a producer, she advocates for new works in her performance. Caroline recently performed “5. home” from Shawn E. Okpebholo’s unknown cycle and “Presendia” in a concert rendition of Nico Muhly’s Dark Sisters. 

Friend branches outside of the operatic sphere into sacred music and continues this early repertoire in performance. From 2016-2020, Caroline studied and performed Renaissance polyphony and Gregorian chant in the St. Cecilia Children’s Schola of Pope St. John XXIII Parish. Her intensive training in solfège, harmony, polyphony, chant modes, and Latin text bolstered her position to an Apprentice in the official Schola of Most Precious Blood of Jesus Parish until 2020. It was these building blocks and passion for theater that inspired her classical music journey. She continued her sacred work as a Schola member at the Shrine of St. Elizabeth of Hungary in Cleveland, Ohio from 2025-2027

Highlights & Awards

  • 2025 Boris Goldovsky Prize in Opera
  • 2025 Ernest Bloch Artistic Distinction Scholarship
  • 2024 Max Berman Prize in Voice
  • 2024 American International Music Competition – 1st Prize, AIMC ~ Group I
  • 2023 ACPC Marcella Sembrich Kochańska Competition – 2nd Prize

Repertoire List

*Denotes Studied/Partial
Cherubino…….from Mozart’s Le Nozze di Figaro
Dorothée………from Massenet’s Cendrillon
*Idamante….…from Mozart’s Idomeneo
La Ciesca………from Puccini’s Gianni Schicchi
Lazuli………..…from Chabrier’s L’Étoile
*Meg Page….…from Verdi’s Falstaff
Mercedes………from Bizet’s Carmen
Mère Marie……from Poulenc’s Dialogues des Carmélites
Oberto………..…from Handel’s Alcina
Orlofsky………..from Strauss’ Die Fledermaus
Presendia………from Muhly’s Dark Sisters
The Spirit………from Purcell’s Dido & Aeneas
*Vincenette……from Gounod’s Mireille
Zerlina…………..from Mozart’s Don Giovanni
*2nd Sprite……from Dvorak’s Rusalka

Ah Tanya, Tanya from Eugene Onegin
Batti batti from Don Giovanni
Ich lade gern mir Gaste ein from Die Fledermaus
I have dreamt from Wuthering Heights
Je suis Lazuli from L’Etoile
Laurie’s Song from The Tender Land
Lucky Child from At the Statue of Venus
O petite etoile from L’Etoile
O thou that tellest good tidings to Zion from Handel’s Messiah
Pie Jesu from Faure’s Requiem
Que fais-tu, blanche tourterelle from Romeo et Juliette
Smanie implacabili from Cosi Fan Tutte
Vedrai carino from Don Giovanni
Voi che sapete from Le Nozze di Figaro

Beau soir by Debussy
Die stille Lotosblume by C. Schumann
If I by Laitman
J’attends un navire by Weill
Jou L’pount D’o Mirabel by Canteloube
Fetes Galantes, Book 2 by Debussy
-Les ingenus
-Le faune
-Colloque sentimental
Nuit d’Etoiles by Debussy
Ruckert-Lieder (Full Cycle) by Mahler
Tu lo sai by Torelli
We never said farewell by Rorem
Widmung by R. Schumann
Wie Melodien zieht es mir by Brahms
Unknown by Okpebholo